July 15

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She gathered all her new friends on the porch
and served them lemonade in the chilled glasses
with little lemon prints behind the water beads.
The branches nearby clicked in the wind.
The women laughed like men remembering
the way they used to live before their children
took them over and made them different, longer
at night, tuned to the randomness of human breathing.
They shared breaks, compared the meaning of names.
They faded in the dark. Moved to wine served in flutes
with stems like the long notes of an oboe. Someone
mentioned how olive vines could slowly consume the sun.
Another asked is the world real beyond this porch.
Soon they wondered if their hostess would ever return.

July 14

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Yesterday on the dunes he felt
hollow, dark. He drew up
the hand of an old love.
Her fingers were long and brown.
He could make songs with them
in the warm light off the lake.
He used her fingers to sing, call
for rain next day on the dunes.

July 13 (Jintishi style)

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In the course of getting
ahead of himself, he parted
a screen of brittle grass and saw
a blue pool with a whale’s
eye moving across its middle.
The whale reminded him of a boy,
how he could see birds and bears
in the water stains on the walls.

July 12

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It will be a Saturday when all the soldiers
drop their guns and knives and wave
the battlefields away, leaving them
to the croaks of birds and creaky leather
and the somewhat confused spirits of the dead
who hear the moon scream at their backs
and the anger of those with nothing better
to do than skin with their thumbnails
the images of men and women in magazines
and dusty books where bad ideas
accumulate like spores on old wallpaper.

The soldiers walk away with all the war
poems ever written and to be written
etched on little stones in their stomachs.

Sunday the leaders land in their ships
to bring reason and their religions here
and to bawl out the generals for making
this chaos of cattle prints in the sand.
Soon the air moves and the sand scratches
their glasses and grits the corners of their eyes.
They drink cool water and check their schedules
and ask the whereabouts of their children.

Monday will hear uncertain sounds in the spaces
between the sprinkle drops as the leaders wonder
at the strange shadows they make in the drying dust
when the clouds break and they thumb through their scripts
in search of phrasings older maybe than Sanskrit
or puppetry or grave digging. That one in a black suit
carves an arc with the tip of a shoe.
Another wipes his pink neck and says he could
eat a hot dog or a puffin or an octopus.

On Tuesday one of them remembers the day of enticement.
He remembers falling on the ice.
He remembers how his mother smiled and danced
through a crack in the door late at night
when he should have been sleeping.
Another wants to run to a boat and fish.
A woman tosses a wand into the circle.
In comes a fish fin, a bottle cap, a tarnished spoon.
A man plucks out his eye and eats it like an egg.
A woman says that’s a pretty good trick.

Wednesday a man crosses the circle and slashes
at a woman’s jaw and the blood that comes
makes everyone crazy for finger painting
and they remember the beauty of open wounds
which is the same feeling in all the languages
of the world. After some time only five remain,
three men and two woman who watch each other
from the perimeter like alligators.

On Thursday a man chips blood from his tongue
and clears his throat and dons the robes of an orator.
He deplores the image of heathens, supporting his concoctions
with words that look like stinkhorn, and then jade stones
and pigeon livers scattered among the flakes
of the moon, and he reads their shapes
as proof of the truth of his positions.
A woman says that’s a pretty good trick.

On Friday they see mammoths crossing the white dunes.
Black birds appear on foot out of the shadows.
The rivers pour slowly into the sea.
One claims his mother’s face in a stone.
Another says he’ll drink his own tears.
Journalists are repeatedly typing one word.

On Saturday the soldiers return to find the five
with their jaws gnawing on ankles and wrists,
as if attempting escape or crude leeching.
Look at them, the soldiers say.
How have we got along without them?
How will we ever learn to paint wonders again?

July 11

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Often if you watch the birds
you’ll see them bearing olives
and maybe a grape tomato

to their chicks who don’t quite
understand the story of circles.
The shape of their lives through the air

and time is like sleeping in a cabin
where the villages are remote. Bears watch
the lights go out one by one from their caves.

One moves among the small houses.
He presses a dark weight against a door.
He suspends two moons in his eyes then sleeps.

The children put their palms
to the small window above the porch
and close their eyes and imagine

the circles birds made during the day
believing that, come morning,
they’ll climb a high tree, let go, and fly.

July 10

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When his mother died he saw
frogs on the window sill

The smell of old love followed him
through the hallway to a bright door

where a girl stood behind the screen
with day lilies bursting from her hands

His father was with the doctor
asking questions about the speed of light

Years later he passed a cardboard box
filled to the top with snow, the mouth

of a boot sticking out like the hole
of a cannon on a ship emerging

from the cold mists of the north
or someone shouting for the children

to come in for the night who dash like birds
through the gardens in midsummer

His father still calls and in a quiet voice
asks after the light and all that space

it leaves behind on its journey
to the empty edge of sound and touch

July 9

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one day he imagines
a million silver fish
assembling a pond
as the day burns
a single star
into its surface

permanently now

he gets down
reaches

soon his finger
attracts the dry heat
on the water

then a fish weaves
dark to startling dark
like something
that had once slipped
out of his hands

and he stops

(he’d hoped to draw it out,
bear it home, use it’s heat
to wipe away
the darks that settle
into corners, cracks,
under tables,
behind the eyes)

the star remains, clings
untouched, unmoved

an eye watching

permanently now

as he rises

one day he imagined
a million fish assembling
the water
a single star
a motive

what he missed
and misses
is some discolor
on the water
some shadow
of his own
something more
than sun
to carry home
in his hands

July 8

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Out of dreams now a woman steps into a dawn
where blue shapes cut the sky into outlines
of leaf and branch, yesterday’s whispers
marbling the shadows where they’ll

dry, bake, and disperse with the sunrise.
She had shed names over the years. They fell
away from her like notes spoken into deep places
where echoes return stranger than their
origins, dripping with the liquids of alien
languages, licked by distant tongues.

Her father’s disassembled first, lost letter
by letter and sound by sound through the weave
of pages, or slipping through the grills of storm
drains in streets she found empty and dry

with promises bundled into tumbleweeds
wandering the intersections and crowding
at the feet of buildings where taggers have joined
themselves to the bricks in black and red
and orange, naming otherness with empty
calligraphy and charms shaped like knives.

Out of dreams now she feels the pull
of the sky in the cool light, the gravity
of names, the potency of heat in the west.
She raises a finger and writes (to test) a name

and then another, writing on a canvass shapes
never before spun by human finger or spoken
with human tongue. She caught a spot of the sudden
sun and a few strings of wind to mix the light with,
and the names matured into rings, petals, song,
two new galaxies turning in the air above the world.

July 7

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She suspected many shes in the eyes
of the rat who watched her from the edge
of the table considering the many rats
she must be thinking, even in dream.

And so a thousand memories and a thousand
more at the edge of the table in the eyes
of the rat and in the eyes of the woman
at the table considering a thousand images

of lamp-orange windows under a black city sky.
The rat imagines them too but for him they
are an enormity of yellow bricks or eyes rising
into the gray rivers between the cornices,

chimneys, and chipped racks of gargoyles
with the finger prints of their makers soot
black in laughy snarls and arms rigid as bow limbs
and knuckles where birds perch, and he feels fear.

But the city will never leave her to go wild
or free a thousand shes of smoke nor the alley
sounds millions hear like a simultaneity of clanks
and cans kicked, casket shadows from aluminum forms.

He tries to convince her of the only she, she who
passes her hands over the fence rails, she
of a thousand who sits before the leaning
nebula of delphinium at dusk waiting

for the last evening bee to light and leave
for home. “Borges,” he says, “teaches us
that the river is art and the river is time,
and so you must be the leaf, because pulling

upstream can turn the muscles of the arms
and the wet of the eyes to stone. Look now.
The evening’s gone. The city lights have dimmed.
When you wake, you’ll write your name on the wind.”

July 6

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What is white but black bursting
over a warm July lake in the eyes of woman

remembering how her mother
hung her sneakers

on the line to dry
in the sun by the laces

The memory is flat until the wings of a swallowtail
turn around the sole and open and close its wings

and then the memory is round and she bends
and touches her fingers to the water

like a butterfly touches its wing tips
to a blue the sky paints with clouds

and watches the black urge white
to life in steady bursts under the ripples

July 5

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Again we emerge from water
in the shape of egg whites
with blue stars slashing
over the bulge of the yoke.

See me rise over a dry red dune
with the wind tossing blood devils
to the east where they shred
like early mornings cradled by lightning.

Such energy in the shadows
cast by grass, in island blurring
slowly into continent, in fox prints
white on the muddy cool of ponds.

July 4

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At the gate to What Might Be, the green tiger
knows better than to cross. He’s been followed
by a rat who carries a stick and a bandanna
in which wrapped and tied and hung he keeps
a can of mushrooms, olives, and radish.

The green tiger lays at the threshold. He beads
his eyes south and watches the smoking horizon
of what What Never Should where Squirrel Speaking
English rolls under a rock. The tiger’s whiskers bend
high to Land of Whatever is Possible.

There, where light is like an sleeping eyeball, a herd of red deer
watches upwind as the stars carouse like the bottoms
of celestial fox feet and Now with silver eyes and horns
grins East, West, and sniggers with the memory of Ovid
as he’s moments away from writing Apollo’s lovelessness.

With a huff, the green tiger rises with the flexion
of Yes stung by a bee in his shoulders. The rat thinks,
“I better get back and protect my friend because I know
what the tiger’s thinking. He’ll find her, rip through
to her heart, and out of her chest will grow a stone

round like the Land of Whatever is Possible,
where birds turn red in the heated mist of the sun.”

Open Boulders

A poem by Carianne Mack:

halogen heaping
in a low
salad bowl sanctuary

also creeping out to glow
your charge
in the dark stars

light stains landing
to navigate
by

like the teal shadows tattered
rooted on the banks
by a beaded lichen blanket
slung slowly over
an open boulder

See also Jesse’s in the comments July 3.

July 3

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I know a man who fell through the ice
and was taken downstream a quarter mile
before he found a crack back to the surface.

He told me that as he felt he would die
he watched children play under hot suns,
his hands buffing the slick underside of the cold,

bubbles blubbing about his ears and helpless nose.
He figured their voices would be muffled
underwater. But no, he said, they came to him

clear as High Definition, as if the silver bubbles
contained then released those voices
in airlessness cold and blue and reminiscent.

He saw a wife folding clothes, holding a frog
to the yellow-haired dog, and lifting it out
of reach with a laugh when the dog tried to bite.

He saw fresh lightning strike poles, a brother home
from war. The brother chewed a worm in the back
yard just to show how relieved he was to be alive.

Wearing loafers on dry mornings with the paper,
a father waving goodbye, a cat at a barn door
licking its paw, pausing, passing back into the hay

inside like a brush tip mixing orange with straw.
The funny thing, the icefriend said, was that none
of these things he’d ever before experienced.

He had no brother, no wife who’d held frogs,
and certainly had no love for keeping cats or barns.
So, after chancing out from under the ice, freezing

but alive on the slippery bank under frail clouds,
he no longer knew himself, so he hurried
to town, changed his name, sold his goods,

and set out on a journey to find a wife, a yellow dog,
creeks nearby for the rearing of frogs, playscapes
for children, and friends for the sharing of stories.

July 2

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The spider watches me as I pass.
Steady, typically, from the ceiling or a kitchen
corner. I know what he thinks

“The last time you put me out I had to swim
rivers, dodge those chipmunks you have
with their dirty tunnels under the garage and patio,
the ones that explode at any hint of bird sound
or doors banging. And what about the birds,
who never tire, searching for fat
bodies to steal up and swallow.

“And what about the brutal suns:
I know them only by squares drifting the floors
and walls, like soft ideas that always fade
when the lights come on.
Those suns fill the sky and crush my five eyes
like hot stones pressing me between the grass.
Let’s talk a little about the grass. It’s sharp
enough to cut off my arms and when it’s wet
I must squeeze to escape, crawl over and expose
my back, and then I must scale Everest
or Olympus Mons to get back home.

“You’ve never done any of this, who feeds
the squirrels as if it’s they who might starve
in the winter, you who pets the dog and gives
him or her (whatever) a name and weeps
when they lay still when called for the last time.

“You made this place. It’s big enough for several
of us. You know well enough I was born here,
in these warm rooms, perfect for webs.
You would toss me into an alien place,
like some dark earth supported by a stem,
with strange wasp-worn flowers, light I must strain
to bear on my little furry back. I’m not wild,
but making a living here, native, fearful
and feared, and so pardon me if I dash
for a hole in the wall, scramble behind the blinds,
leap out into atmosphere to escape
your magnanimity, your gentle hand.
Better swat me like a fly than toss me
into the yard where I must fight for life
like a man fallen from a plane to nowhere.

“Go on, don’t look. I’m just a shadow,
a ghost, a violet among violets. You
wont even know I’m here. Pass on.”

The spider watches me from above.
I know exactly what’s on his mind.