How like a poem
or a painting
a tree is. The shake
of the wind through
the little worlds,
how they never stop
moving. Watch a leaf
(or coral)
for an hour and you’ll
swear you see blood
or itches, waves goodbye
or wringing of hands.
The veins protrude
like distorsio ribs,
prickles on a cockle.
For a day only then and you’ll
wake up underneath,
a hermit devoted to ever-
shuffling leaves,
a bird for proportion
between your legs,
the sky or the light
on a troubled pond
for pointing the way
as you sink beneath
and wonder
what happened.
How did the red leaves
swallow you whole?
-
100 Days :: Summer 2011
This will be my fourth year participating in the fun, exciting, and challenging 100 Days projects: year 1 I wrote one hundred poems; year two I wrote one hundred stories; year three I wrote 100 fictions. For 2011 I will round things out with another 100 poems.
But what's the intention. This summer my focus will be on hunting things down and tagging, hyperlinking, and using social media to identify those found items that inspire the poems. I will be watching for what the artists, musicians, and other creators do and will try to make poetry out of "found relationships." But also thinking hard about imagery, language, and orthographics. I've never been comfortable with punctuation in poetry but I am fascinated by putting heavy trucks on the edges of leaves or turning one celled creatures into things that point north, where yellow ducks live. -
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