Oh, how can I tell the perfect
things I’ve invented,
for telling the perfect
thoughts I’ve found
destroys my arrows,
slices with little razors
the inside of my throat
so that the stomach beneath,
the heart of courage and sorcery,
fills with water
aggressive as lemons.
The poet hunts
enemies with symbols,
stamps, old women, tigers,
and rats who travel countries
like musicians with stringless fiddles.
The poet throws stones as heavy
as lead or marshmallows
and clomps the rooms upstairs
sounding for needles
to insert into an old man’s eyeball
or pancreas, inseminating
populations with weirdness
and trash.
Woe to the insistent germ
who finds the edge of a dish
and taps and asks the god
to play on the inside
where moats burn the clouds
into scalding steams
and the caterpillar writhes
on a surface of blades
and the eyes
becomes a joust
of flowers against the sky,
sun bursts behind the windows
like flower swarms.
-
100 Days :: Summer 2011
This will be my fourth year participating in the fun, exciting, and challenging 100 Days projects: year 1 I wrote one hundred poems; year two I wrote one hundred stories; year three I wrote 100 fictions. For 2011 I will round things out with another 100 poems.
But what's the intention. This summer my focus will be on hunting things down and tagging, hyperlinking, and using social media to identify those found items that inspire the poems. I will be watching for what the artists, musicians, and other creators do and will try to make poetry out of "found relationships." But also thinking hard about imagery, language, and orthographics. I've never been comfortable with punctuation in poetry but I am fascinated by putting heavy trucks on the edges of leaves or turning one celled creatures into things that point north, where yellow ducks live. -
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