80. The New Man

After weeks of rain the sun shone on the lawn one morning. Marsha went into her garden with coffee and observed the wet carnage inflicted by slugs. She observed all the holes eaten in leaves by unseen creatures. She parted rotted stems sword-crossed in the soggy overgrowth and found a yellow flower just bloomed.

Marsha tried to clear a path. This yellow flower needed the sun, the sun that had had so little to do with the earth and her garden these last few weeks.

Morning work traffic had started beyond the hedges. In the trees she heard birds, blues and browns. A bumble bee zoomed in and hugged a stem nearby with the sun on its eyes.

Marsha’s new man leaned over. “What is that thing? It appears somewhat bedraggled.”

“Help me hold these open. Let’s get some sun in here,” Marsha told him. This new man, who had longer arms, reached in and parted the shambles with the backs of his hands and the surface of his arms.

The new man, on his knees, his arms wide like a sunning flamingo, the little yellow flower exposed to the sun, said, “That’s hits it right on. We should keep these open with some sticks.”

Marsha stood and went to the porch, where she’d left her coffee. She sat in the sun. She sipped her coffee, which was hot and creamy and tasted just right. She watched the new man and waited. She wanted to see just what kind of man this new man was.

79. The South

We live in the south, where, one day, the river rose like a terrible dream of drowning, as it did every year. We took grandmother down from her house in the orange chair she loves and put her seated and telling stories about rivers in the old days onto Onesimo’s flatbed that groaned as it struggled through the mud and the rising water and struggled still more as it went up the hill to the community center where everyone had gone to wait for the rains to stop and the river to subside into its course.

In the south we suffer long hot days and watch the containers go by on the great cargo ships that pass on to those places the young dream for in their late morning sleeps. Where grandmother came from, grandmother said with the atavistic longing only the very old can express. The young ones gathered round her on the playing court and she told them about men with long beards and underground trains and the smell of smelting iron and how the smoke pillared out of the chimneys row on row to the horizon, the cities were so big.

“She never tells them where she really came from,” mother said, who was grandmother’s legal daughter. “Here, just like all of us, she was. Everyone here, including you is from here. No one comes, no one goes. And every year the river rises and every year the old people wait for the young people to carry them to high ground and when the water goes down, the young ones take them and put their chairs back with the old ones seated on them, creaking on about distances and lost things, smoke stacks and sophisticated ways.”

She spoke bitterly. Which is the way we speak in the south because no one stops here and no one ever leaves and every year the rains come and the river rises and every season the rains disperse and the river slowly reverses itself and becomes the river everyone remembers. It’s true.

One day a man came to town, whom no one had ever seen. The river had fallen, leaving silver sheets of fish on the banks. The air was filled with the smell of things normal for water but that rot under open sun. He came in a small car. He parked in town and took a suitcase into the bank. We watched him from the windows, transacting, tapping the toe of his shoe at the teller’s desk.

When done, he came out and tipped his hat to us, placed his suitcase into the back seat, got into his car and drove just a little ways up the street to grandmother’s house. We stood back and watched. The man knocked on grandmother’s door and when grandmother opened the door she hugged the man and they went inside and she closed the door. We waited. Billy took out a sandwich and ate it. Sara, a chocolate bar. Then the man and grandmother came out of the house. He assisted her down the steps and into his little car.

Inside the car grandmother tapped the dashboard. We saw her yank down on her belt and clip it. The man closed the passenger door and walked around to his side and tipped his hat to us. He got in and started the car and he and grandmother made a U-turn in the road and they drove together out of town and out of our lives forever.

Word got out about the man. Mother and father dashed to grandmother’s house and searched. They went to the bank and when they emerged they stood on the street and looked up at the sun and looked down the street as if they might see where the world was going. At dinner, we asked.

“You’re not to bring any of this up,” father said, angrily. Mother said nothing. She wouldn’t look at our father, as if in doing so she’d sort him as a liar, as if, somehow, sometime, he might depart as well, taking some secret with him, and she didn’t want to look at him because something about him at that very moment, something about the way he held his fork, about the way he looked at his plate, indicated or suggested some mysterious and latent spontaneity or potential, a decision still some ways off but affected nonetheless.

“We’re not to speak of this again,” father said. But he wouldn’t look at us. And we wouldn’t look at him.

78. Milo’s Laugh

Milo was a friendly man but he had a laugh like a slug dropped in an acid bath. If you heat the oil too much and watch as the garlic blackens soon after putting it in, Milo’s laugh is like that. Milo was tall, thin, and his fingers were long. On the subject of Milo’s laugh, one of his friends said, “You sound like you’re being torn in half.”

“But it was a funny joke,” Milo would say in his pleasant way after completing his laugh.

Milo was well liked. He worked hard. But he had difficulty with intimate relationships.

“It’s your laugh,” his friends told him. “Not your chuckle, but the big one.”

“What’s wrong with it?” Milo asked. “What’s the matter with you guys. When I hear or see something funny, I laugh.”

Milo’s laugh became the joke for comedians at clubs. “What the hell just happened out there?” a comedian said. “Who out there just vomited up a bag of jacks?” At the matinee, George, one of Milo’s friends, nudged his shoulder with an elbow. “Dude, you’re freakin me out.”

“That was so funny,” Milo said.

When Milo wasn’t laughing he was calm and steady. His face displayed little emotion or reaction, which explained why people liked Milo. He would listen and nod his head. He would ask a question and people would say, “I hadn’t thought of asking that.” At items of minimal humor, he would simply chuckle in a bearable way.

At a party one Friday, Bernand introduced his friends to a woman named Beatrice. George, Harold, Tito, and Milo crowded around and each in turn was introduced to Beatrice. But when Beatrice opened her mouth to say “Hi. Please to meet you” to Milo she showed them all a dark green snag of spinach in between two otherwise normal front teeth.

“Did you see everyone turn? Shit,” Tito said.

“And Beatrice. She was humiliated and I was humiliated,” Bernard said. “Jesus, Milo. You always do this.”

“She was so pretty that the dirt in her teeth stood out and I found the combination just too funny,” Milo said. “I’m sorry.”

One day when Milo had just begun work for the Company, the boss had a sudden countenance of alarm. He ran into the room where the snack machines were kept. He saw Milo talking on the phone with his customary calm, just chatting away on his lunch break.

The boss shrugged. He ran back into the hall when he heard that sound, a high-pitched bitterness, a crescendo of childhood nightmares that filled the office like a fire alarm. But the boss only saw Milo, closing his phone, and turning to the coffee machine with a fresh bill.

“You lose all control when you laugh,” George said on their way to the movies. “And not only that, you laugh at inappropriate things.”

“It’s just the way I laugh. It doesn’t hurt anyone,” Milo said.

That’s when they saw the accident, just as George turned the corner. “Shit,” George said. They saw steam rising from crumpled front ends. George and Milo stopped and got out. “911,” Milo told George, “and hurry,” so cool-headed most of the time, always ready to lend aid.

A man and woman stumbled out of a car. From the other car came the sound of a crying toddler, the mother inside asking it if it were okay and reaching for the release buttons on the belt. George went to the mother with the child, Milo to the man and woman who’d sat on the curb. The man had a slash above his eye and the woman asked Milo if he had a tissue with which to dab the wound. Everyone seemed okay and already they could hear sirens in the distance.

Thats when Milo turned to see George, the mother and the child. The mother was red with terror and relief. George was carrying the child. Milo’s eyes went to the child’s face. The child’s lips, chin, and nose were spattered with what must have been yogurt, blueberry yogurt, and there was one perfect little blueberry pasted close to the child’s left nostril, so that when he breathed in his current state of subsiding shock, the blueberry rolled a little distance down his upper lip, then was snatched back up when the child sniffed.

When the police arrived they found everyone laughing. Some of them were bleeding and steam was still rising from broken radiators but all of them were laughing, dabbing each other with tissues, wiping at tears, and laughing, even the child, and the tallest of them, Milo, shook with the ugliest and bitterest laughter of all.

“Hey, someone could’ve been killed here,” one of the officers said.

“That’s exactly right,” Charles said with difficulty. “That’s exactly right.”

77. The Conventionist

For this experiment we need to imagine that fiction writing conventions have been forgotten and we must invent them from the everyday.

We begin with a man, a real man, who, in real life has just received a call from his daughter. His daughter calls and says, “I’m on the other side of town and I’ve run out of gas.”

The man accidentally writes (meaning he does so without considering why he’s written this down) that his daughter has just called and that she’s on the other side of town. “I received a call from my daughter. She’d run out of gas and needed a ride.” He then, as real people do, changes his mind as to the accidental nature of his recording because, after all, the event is true.

He lists his options. He can 1) leave his daughter stranded 2) take the can in his garage and purchase gas and fill his daughter’s tank with just enough for her to complete the job 3) pick up his daughter and go back for her car in the morning, repeating option 2.

The man records his choice, which is option 2 (although using links and separate documents he could follow all of them).

The man fills a gas can at the filling station, drives across town, and as he approaches his daughter’s car he notices, then understands, that the car is empty. He parks and begins a search. Of course, his daughter is neither in her car nor does she respond to his shouts, so, he writes, “I parked behind her car. She was no where to be seen. I called for her. But there was no response. It was a dark street. On one side was a chain link fence and a section of city reservoir, filled due to recent rain. Rows of low-roofed warehouses on the other sideĀ  curved toward an intersection, whose lights blinked yellow.”

The man fearfully wonders what his daughter was doing here in this section of town. Is there something about his daughter he’s missed all these years? Does she lead a secret life? As he considers this, as he fills his daughter’s gas tank, (why should be obvious), he hears a horrific scream for help.

He writes, “The shout came from behind one of the warehouses.”

He considers though that he is an average man. He has no training in self-defense, law enforcement, or urban warfare. And he has no weapons other than a lug wrench. But we also thinks that this is his daughter and that he would die for her. He doesn’t, however, write the latter, as he has no time to think about his personal and learned abilities.

He writes, instead, “Without thinking, I ran between the structures and turned at the corner of a warehouse, thinking, his daughter is shouting. He called out with anger. Two men, who had been assaulting another figure, dashed away into the darkness. I went to the person under assault, saying my daughter’s name. I kneeled to her. I took her face into my hands and said her name again.”

The man saves her. He has run behind the warehouses and scared away the attackers. Perhaps the attackers inferred that he was just one member of the police and they should run before more arrive as law typically come with backup. In any case, the attackers have gone, the man has knelt, and he realizes that this is not his daughter but a young woman he doesn’t recognize.

He must write this. He must write what comes of things. “I looked into her face. In the dim light, I saw that this was not my daughter but some other, young woman, who looked at me with thankful distress and terror in her eyes. I wanted to shake her. I wanted to force her to tell me about my daughter. A great bruise was forming on her face. I could feel warm blood at her side. She needed immediate medical attention, attention I would have to provide.”

The man gathers all of these events. The call, his daughter, this girl, the attackers in flight, and the fact that he’s left his cell phone in the car. He concludes that everything he needs is here, in these events, in the call, this bleeding victim, and this empty, mysterious place, where, unfortunately, his daughter remains curiously absent, lost in the terrible and persistent present.

76. Computer Leon and the Dope Smoker

The dope smoker visited Computer Leon in his basement. He said, “I saw a school bus speeding by this morning. There were two kids on the roof. They had butterfly nets.”

“The hell you say,” Computer Leon said.

“It’s true,” the dope smoker said.

“Maybe you were high,” Computer Leon suggested.

“Well, I was. But still.”

Computer Leon, to be rid of him, built the dope smoker an app for his phone, which reeked of dope. “This app,” Computer Leon said, “will tell you exactly what’s happening on all school buses in town. It will tell you when they pick up, when they drop off, when they depart and when they arrive back at their yards, the names of the driver, even weather alerts. I just published it for everyone to use.”

“It’s a fine app,” the dope smoker said, visiting again next day. “But it says we’re related. Look.”

Computer Leon snatched the phone away from the dope smoker. “What the hell is this?” He pulled the data into the screen again and he got lists and lists of information about the town’s school buses. Edmund handing in his keys; two bozos flipping off commuters at the rear; a leaky brake line; a child waving to her mother; Leon related to dope smoker.”

“You?” he asked his wife at dinner. “Maybe in your line but not mine.”

“It’s your app,” his wife said. “The strangest we have is a Civil War general.”

Leon drilled into his lines of code, nothing of them at all about fetching or relating genealogy data. He thought he caught the error, a dubious set of variables eying each other line 15 to line 17 like nervous gerbils. He cut them out, compiled, and ran the software again on his own phone, which returned a new list: “Johnny Southerland on the 218 route; little Jimmy Williams refused his greens but did okay on his rabbit essay; Marcos Jr still asleep in the yard, Bus 29, forgotten; Leon related to dope smoker.”

“Everlasting hell,” Leon said.

He enlisted Dan the Computer Man and Computer Geek Woman, competitors in the local trade. They tapped at their keyboards; they printed out and underlined; they compiled and recompiled. The latest of two returns said, “Lilly Pond School closed for mold infestation; Mayor trolling for porn; little Jimmy Williams pouring gin into his cup, parents dozing; Leon related to dope smoker and to Janie Bartholomew Battle, aka Computer Geek Woman.”

“It’s insane. It says you’re my long lost brother,” Computer Geek Woman said.

“Bartholomew Battle?” Computer Leon said.

“Mine says I’m related to Jane at the post office and to the Dalai Lama,” Dan the Computer Man said. “You’ve erected the devil in this thing, Leon.”

“I just got a call from some bloke in India named Achyut,” Leon’s wife called down into the basement. “He said we’re distant but near enough.”

The calls started thick next morning. “This app you published is telling me I’m related to some stalker in Billings.” “The app says you’re my uncle.” “It told me the bus would be late and that I’m related to that scary politician who’s always on the news.” The calls kept coming. Computer Leon was on the phone all morning catching up with relatives in Iran and his wife had lunch with “the Twins.”

“Those Twins were a hilarity, but thanks to you I have more nieces to buy for at Christmas,” his wife said, “and, by the way, we’re off to Scotland for a reunion in March.”

“The hell we are,” Computer Leon said, pecking at screen nuance, logic scrambling like ants disturbed. “This app is devil’s brew, a lying bag of crack.”

The dope smoker visited that evening. “Since we’re cousins, I’d thought I’d invite myself to dinner.”

“Why don’t you go smoke some leaf, on another continent, preferably,” Leon said, slamming the door.

That night Computer Leon dreamed of yellow buses, yellow buses filled with distant kin, all bearing gifts and photo albums. Two children rode on the roof of a bus and swatted at butterflies with nets. There were great lines of buses, yellow buses groaning down the mountains, crowds of brothers and sisters, second aunts and uncles. Some of them had six fingers to a hand. Others disinfected their teeth with hair brushes and cat litter. They all called from the windows, affecting sympathy for Leon, who stood by with a little flag in his hand, which he rotated with the enthusiasm of a ten year old laptop.

A public meeting was called. Scientists sat at the table with examinations, studies, and open applications on their phones. One of them spoke into the microphone. He said, “Through no fault of his own, Leon has proven that we’re all related. In this room, my family sits, many of you already know this. But we shouldn’t fear these insights. It proves something. This knowledge will encourage world peace.”

Someone yelled from the crowd, “If I’m related to you then I’m a fried onion.” Another, “There’s no way in hell I’m related to that fat bastard over there.” And, “And me, are you all claiming my wife is my mother’s sister’s daughter?” And finally, “The divorce rate’s risen four fold in the last week. We’re overwhelmed with the paper work.”

Computer Leon, his wife, Dan the Computer Man, and Computer Geek Woman snuck out the back. They met up at the diner and ordered burgers. The waitress kept shaking her head at Dan. Computer Leon checked his phone. The others waited, watching him. “Says here the buses have all stopped running and the mayor’s licking his lips in his office. It says here that everyone hates me. But check it out,” Computer Leon said, showing them the screen, “I’m top of the list for most downloaded app. I’ve got some big checks coming.”

“What do you think that dope smoker likes for dinner,” Leon’s wife said. “He’s family after all.”

“Forget it,” Computer Leon said. “There’s no way in hell he’s eating at my table.”

75. The Dope Smoker

The dope smoker smoked some dope on his porch. He watched a yellow bus with children roar by, two children on the roof, sitting with butterfly nets in their laps.

He thought, “They might fall. And their parents’ll freak. And what’ll happen to the driver, who may not even know? Or maybe he does know, and that’s the wonder of it, dope or no dope.”

A woman came with exact amounts. She had her hands in her back pockets. She told the dope smoker, somewhat worriedly, “A saw a black squirrel on your roof the other day? Have you ever seen a black squirrel? It looked like a small bear.”

The dope smoker said, “A black squirrel? What, are you high?”

74. The Storm

It was an odd storm. She watched it from the picture window in her hotel room. She saw four small figures crossing the flat desert field, the storm giving chase behind them, blue and black with rage.

They were three men and a boy. From what she could tell, they were oldest to youngest, which might have made them three generations running.

A lightning stripe crossed above them, emerging from the air like a hot white note. The thunder smacked against the glass and her forehead and she turned from the rattle of the window.

She turned back with a ring in her ears. One of her wrists hurt. She squinted out to see. It appeared that the boy had fallen. One of the younger men ran back to give assistance. The boy appeared to be weeping, but they were still quite a distance from the road and the hotel, and what were they doing in the field anyway, a boy, two young men, and an old man?

In the dining hall at lunch, people whispered to the rumor of storm, as if it were a loved one who’d escaped prison. Tornado, someone threatened. She was on her way to her son’s place in the south. She’d stopped here for the night. She was no stranger to weather. Once she’d seen a cow snatched from its breakfast as if it were not a cow at all. She remembered before it disappeared how it had one eye closed against horizontal hail.

The bearded sky, the deep gray canvas, so close now, the hotel trembling. Maybe it was ink in the distance coming or black sand on the wind. The men raced for the road, the boy now limping, all of them heedless of low bush and brittle grass. It was hard to tell whether the boy was weeping or singing.

The old man began to lumber, so it seemed to her. The younger men ran. But they moved with hesitation; they had their shoulders turned and as they progressed they beckoned to the old man and the boy. A series of lightning strikes ripped at their hair and shoulders; the four people stopped and crouched. That’s when she saw the van, a Border Patrol van, at the side of the road.

She wondered why she hadn’t noticed it before. Another boost of thunder rolled off the desert, like a great solid ball. She stepped away from the window. She felt a shudder in the floor.

The young men made it out; they came up a rise to the roadside. The border patrol officers entered the rainless wind, opened the back doors, and pulled the men into the van, who gave their arms up with little resistance. The old man was next. An officer went for him. The old man stopped and put his palms on his knees to catch his breath. He raised a hand to the officer as if to say wait, just a little rest please.

Three forks of lightning lit the sky simultaneously, one near, one far, and another still farther, the most distant light tucked back in the clouds so that its light sheeted horizontally then withdrew.

The officer assisted the old man into the van. He slammed the doors shut and ran to the passenger door and leapt in and the van eased onto the road and disappeared outside of view. Big drops of rain shattered against the window. The sudden rain snapped something.

She rushed down the hall and took the elevator to the first floor. As she flew past the front desk, a young man said, “There’s a tornado watch, senora. Everyone’s going down to the basement floor.” The auto door swooshed aside. She walked quickly to the side of the building. The rain’s weight on her shoulders reminded her of aggressive cats. She crossed the road with a hand up to protect her eyes and went to the edge of the field where the van had waited, the field with its leaning grass and thrashing branches, thunder crushed.

The ground out there had turned red. The bodies of the bushes shook. The yucca spears were amazingly still. Thunder knocked across the road.

She heard someone call. She turned. A man was standing just behind the yellow median stripe. He was protecting his head with a magazine.

“What are you doing?” he shouted. “There might be a tornado. What are you doing?”

She opened her mouth to explain. “I don’t know,” she said. “I really don’t.”

73. The Criminal

Down for review

72. Thinking about Henry

I was sitting on my back porch thinking about Henry when Leroy came with his dog and his son.

“I was thinking about Henry,” I said.

“Henry? I haven’t thought of him in years. We should be close enough now.”

We decided then that we should finish things. Leroy’s son wept when he told him it would just be Leroy and I.

“You should take plenty to keep you warm. If you remember, it gets very cold,” Leroy’s wife said.

Leroy laughed. “Henry knows cold. He’s been waiting in it, at least we hope, because it’s about the prolonged ending; it’s about knowing what’s coming but not when it’s coming.”

“Don’t make jokes about the cold, Leroy, or Henry. Your son would dislike making the same trip, if he knew what it was all about. Years from now. Imagine it.”

“Well,” Leroy said. “If that happened, I’d like him to consider it. I wouldn’t want him to forget.”

We drove up the mountain in silence. For some time I regretted bring any of it up, Henry and endings, what we now had to do. “I know what you’re thinking,” Leroy said.

“Yes,” I said.

“You’re thinking man I shouldn’t have even brought Henry up. When you did, it all hit me again, the time it’s been. How we’ve neglected but how we also used that neglect in a selfish way. How he’s probably persisted. I remember when he told me he never did like you.”

I laughed. “He could never quite get past his losses. He felt that superhuman distance might change things. You remember. He felt that the sky would mitigate. It’s like going to another country and trying everything again.”

Two hours into the country, I checked the GPS and we stepped down a hill through thin, close-growing pines and came to the river bed and the smooth slabs of stone where it had all began and where it would all end. At our backs was the tree slope. The sky broadened out to the west so that we soon saw across this great space the Milky Way emerge and chain horizon edge to horizon edge like a memory of swan wings and church echo.

“This is it,” Leroy said. “We should set it up here.”

We unzipped the bigger pack and erected the knuckled tripod and positioned the transmitting equipment where Henry was posited as more than just light year but color, buffer, frequency, and segmentation, then we waited.

Midnight came cold but windless. From our position, we saw a mother and her fawns graze by. Something massive that breathed rapidly retreated into the bush on the other side of the river when Leroy employed his lighter and passed me a cigarette.

Come 2 AM or so, the screen shimmered and something slender, like a thin arm, progressed across it.

“Say, We forgot,” Leroy said. I did, typing.

“Say now, We’re here to finish things,” Leroy said.

The screen went black. Thirty minutes later the thin arm returned that signified locomotion in the sky, Henry passing behind and then emerging from what might have been a planet or a star cluster or something beautiful and binary.

“Say, Black Queen to d4. Then say, classic mate.”

I worked in the information, with some amount of thrill and sadness, and transmitted. The screen went black again.

“That should end it and in a few months or years, depending, he’ll understand,” Leroy said, laying back. “I’ve had that move ready for the last few days. I wonder what his eyes will tell him when he finally receives.”

“I know,” I said. “I know he’d seen it. I know he’d been waiting with his fingers crossed. But I also wonder if he’s beaten that rash, if he’s even out there at all.”

Leroy visited years later with another dog, his son grown now and on his own journey, and we sat on the lawn with beers, and Leroy confided, “I still think of him, you know. That was a killer, classic mate. But since that night, all I feel is empty.”

71. Jimmy Williams

I hate the way some people speak names, the way they refer to a particular individual with a sort of aggressive and perhaps undeserved agreeability, a, how shall we say, arrogant presumption or, perhaps better, with self important disambiguity.

“What do you mean?”

The way they use names to either assert authority or to layer themselves into the glow of authority by association with the utterance of a name and its power. Like, say, Jimmy Williams.

“Jimmy Williams?”

Sure, Jimmy Williams. Like so, in lofty tones: “Jimmy Williams, you know, is coaching the team this year” or “I saw Jimmy Williams at the theater last night” or “Jimmy Williams will be there next weekend.”

“But who’s Jimmy Williams?”

The point is you’re not supposed to know who Jimmy Williams is. Jimmy William’s is the mere after effect of sequence of the letter sounds. The person who says “Jimmy Williams is here” expects you to agree that it’s a wonderful thing that he or she is somehow connected to or possessed of Jimmy Williams, whether Jimmy Williams is within visual distance or swimming at the bottom of the punch. It’s like television, as most people only understand a politician or celebrity as a reference to a face or a name on the screen. It’s the grand illusion of modern life to live with references to “what is and is not” or “to what isn’t but probably does” or “what is grand and godlike but can’t be played in person.”

Observe. This person who has referred to Jimmy Williams must persist. They must drag it out. They must lay Jimmy Williams out on the table and kindle the three dimensions with an underglass lamp. They must nail Jimmy Williams to the front of your shirt.

From the tone, the wavelength, and the stressings, you are to grow turgid with the courage of Jimmy Williams. Jimmy Williams and his long reach down a sewer pipe to save the kitten. And don’t leave out that strong back, that back Jimmy Williams used to save two compadres from the firefight and don’t forget those legs that carried him back in for more.

How if you had Jimmy Williams on your team, Jimmy Williams would lead you all the way to the big V, and if you had Jimmy Williams for a dad, woe to you, because such a dad as Jimmy Williams would be at every game, home or away, and he’d make your friends screech milk from their noses with the range and register of his wit. Your friends would say, “His dad’s Jimmy Williams” and everyone would remember how when hard times came Jimmy Williams kept the plant open and told the line workers that with him they had a job for life and a pension, poor suckers, and Jimmy Williams would be interviewed on the national news for his philanthropic disposition and people on the street would stop and point Jimmy Williams out to their ignorant friends and say, “That’s Jimmy Williams, who saved my husband’s job” or “my wife’s job and who saved the town” and “If only Jimmy Williams was the major” or “the Governor” or “the President” or “If only Jimmy Williams was the math teacher, he’d have all of our children doing calculus by puberty’s eventful and tragic surprise.”

What people don’t know is that at this very moment Jimmy Williams is probably bleeding outside a bar. That Jimmy Williams is grinning up on a load of heroine, that Jimmy Williams is on the Line of the Recently Unemployed or on the Line for Wishing he was Someone Else Himself, a Morris Stanislaw or John Jay Threnody or Carlos Esperanza the Third, maybe, or that he’s just trying to make his way through the big hot embrace of the day, just trying to slog his way through traffic, or trying to meet some deadline or whatever other headache has just stepped off of the elevator down, and so I say to that person who utters the name Jimmy Williams to me, that I’m going to slap them good on the face and walk away with my chin up and with my proud father’s name on my lips, no matter, no matter.

“But who was your father?”

Jimmy Williams, of course, Jimmy Williams, god rest his rotting bones, wherever he is.

70. The Rain

“You said the rain would stop,” she said.

“Is that a driveway or just another turn?” he asked.

“You said it would stop,” she said.

He moved onto the shoulder slowly. He looked at her. “I did but it hasn’t has it.”

She watched out the window. He pulled onto the road.

“She said it would be on the left,” he said.

“But going up or going down?” she said. “We don’t know which direction.”

The wipers sliced through the water on the window. The leaves above the road looked like foil shapes in a blender, like love poetry assembled by knives.

“It’s not stopping,” she said. “You said it would stop.”

“Yes, I said it would stop,” he said. “Just call and tell her we’re going to be late.”

She looked at him. “Very late. I don’t know if we’re going up or going down.”

69. The Alien

Scene 1

They ran franticly, with hair like raving monkeys, down the hill.

“Did you get a shot?” she said, breathless.

“Got it,” he said, his hands shaking. “I so freakin got it.”

She ripped the car onto the road. He kept looking back up the hill. “I can’t believe it,” he said.

“But why are we running?” she said. “Really.”

“Shit,” he said. “A bright light. Trees. Nothing else.”

Scene 2

She opened the door to a boy selling chocolate boxes.

“You’re selling chocolate?” she asked.

“For the Club,” the boy said, “and their good causes.”

“Their good causes?”

One side of his mouth elevated. “Ours, sure. Five dollars a box. You should buy many. They’re good chocolates.”

“Why are you wearing one blue sock and one yellow sock?” she asked.

“I’m color blind,” the boy said.

“You’re wearing a sneaker and dress shoe,” she pointed out.

“I have one leg shorter than the other,” the boy said, his face pressed to the screen, the lips waffling in the little wire divisions.

“Did you know your shirt’s inside out?” she observed.

“They go into and out of the laundry that way,” the boy explained.

“Would you like to come in?” she said. She still wondered why, indeed, anyone would run.

“If it means you’d buy more chocolate,” the boy said. “The causes are good.”

The boy ate a potted plant in the living room. The cat hissed and fled somewhere then quickly returned, watching from a shelf.

“I’m not a big chocolate eater,” she told the boy, who drank the water in the pot.

“It’s really no matter,” the boy said, distracted by the CDs.

She wanted to say, ‘You must have left the chocolates outside,’ as he bore no evidence of sweets, but instead she said, “It’s hot outside. The chocolate’ll melt.”

He said, “It’s of little consequence now.”

Scene 3

When he got home, they had dinner, the three of them, she on one side, he at the head of the table, the boy gnawing at a glass of beer.

“We shouldn’t have run from you. We know that now,” she told the boy.

“Would you like to stay with us?” he asked. “You could stay here. It would be amazing.”

The boy swallowing the last of the glass. He took a bite of the plate.

“We wonder why you run,” the boy said.

“Come to think of it, I have no idea why,” she said.

“Me too,” he said.

The boy looked out the kitchen to the front door. He turned back to the plate and bit. He looked out the kitchen to the front door again.

“Instinct,” the boy said. He looked at her. He looked at him. “You should probably run now,” the boy said.

68. A Story about the End of the World

I could tell a story about the end of the world. When Ed came into the store with a sneezing pig and a chicken with a blue sock on its head.

“You can’t bring those in here,” I told him. “Jesus, Ed.”

“You haven’t been outside,” Ed said. “The sun’s melting everyone’s shoes.”

67. The Programmer’s Poetics

The computer said, “Your password expires in 5 days.”

The programmer said, turning to a colleague, “This is odd. Is it the password’s fault? Is it really a question of the password dying?”

They had coffee later, which was typical. The programmer said, “We need to tell the user something. Like ‘Sorry to interrupt but there are those in the world who’d love to be you, so you aught to provide a new password to the system. The password is a part of you and you wouldn’t want it to be a part of another.'” It was good coffee. Just the right amount of sugar and cream. The programmer blew and sipped at the coffee.

The colleague said, “It’s the ‘love to be you’ that’s confusing. I’d say maybe something like, ‘It’s a dependency thing, like changing the key to your office every three months or so, but in this case we don’t really know what costs us more, so we’re opting for the password instead of the lock, so please would you enter a new one.'”

“That pretty good,” the programmer said, “but people don’t really like the words ‘dependency’ or ‘don’t really know’ as this threatens the illusion of integrity, which has its charms, and charm is something that would draw people in. So we’d have, ‘Since you began here, since you began tapping at me, I’ve fallen in love with you, really. I know you can’t return my sentiments, so I’ve decided on a trick to entice you into touching the keyboard, as it’s the nearest I’ll ever come. Forget about the germs. A new password, preferably lengthy and complicated, will keep us in closer contact. Every day you touch me and touch me still but a longer string of taps will link us more deeply.'”

In the parking lot, they stood under a lamp, one car here, another across the way, alone and dark and maybe yellow. “Tomorrow,” the programmer said, “we really need to consider those long lists of errors, and how what people see isn’t what’s there.”

“Like pets, when owners imagine sympathy,” the colleague said. “The machines may appropriately meow or bark. When they hang, they may be taught to entreat, to demonstrate longing.”

“That’s exactly what we should consider. With 11004 we might appeal to the commons, something like, ‘We’ve all been there. We’ve all gone home alone. We know what the sound one car door closing sounds like. So, it’s just you and me.

“Tomorrow, though,” concluded the programmer, for it was late. “Tomorrow we’ll pick it up and hit the long lists.”

66. Purple Mushrooms

He gave permission for Harry to slip into the storage room and lift a bottle of whiskey, one of the finer brands not intended for drinking, “least not by my crowd,” he said.

Harry snuck up to his room and hid the bottle under his bed then slept through the night.

His mother asked him why he was leaving so early. “To play,” he said.

“This early?”

He fished around in the alley cans and a dumpster and found a small box and used packing. He put these at the foot of his bed and hoped she wouldn’t ask. At the door, she look wrung and tired.

She said, “What were you doing with whiskey?” Tell me, you. Tell me.”

“I found it,” he said. “I just found it.”

He climbed out the window. He fished the bottle out of the midnight trash. He ducked when the curtains moved and his mother looked out. He brought his hand up to the place where his jaw still hurt and for reason he thought about purple mushrooms.

This time he hid the bottle behind the book case. When he knew she was at work, he put the bottle in the box and carefully wrote out the address. He found tape in the kitchen drawer, stamps in the desk. He didn’t know the postage so he pasted all the little squares on the right side and hoped.

The next few days his mother gave him curtness and dishes to wash but he could tell she felt sorry. He didn’t want her to feel sorry. He’d listen through the door. “He can’t come out,” he heard her tell friends. “Maybe in a few days,” he heard.

On Saturday, she gave him a letter, which she’d already opened. She watched him unfold it. “Thank you,” it said. It said nothing else and there was no return.

“What does it mean?” his mother said. “Tell me what it means.”