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Category Archives: Film
Prepping for Digital Storytelling
November 3, 2008 – 9:54 am
We are starting our next project in digital storytelling today.
Here are links to tutorials for the software you might be using:
Windows Movie Maker (comes free on all Windows machines).
Another free download you might want to try is Photo Story 3 for Windows.
On the Macbooks, there is iMovie 08.
Lastly here is a site with links to [...]
New Media Accounting
October 3, 2008 – 10:44 am
A new media accounting of projected war costs
GOOD: The Hidden Cost of War
Comic Design
October 18, 2007 – 9:05 pm
Susan Gibb sends us a link to Dermot Power. The concept art for V for Vendetta is very nice, especially the guest room. Note the vanishing point and the visual torque to the book stacks and trim. This is how you build tension and provoke anxiety.
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Spazeboy’s Video Corner
September 9, 2007 – 9:09 pm
Beau’s Spazeboy’s Guide to Political Video Blogging is a wonderful and concise read. Very practical. But I wonder if the guide will require a section on being roughed up or rushed by aggressive officials.
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On Weblogs and Blog Wars
May 3, 2007 – 7:51 am
In terms of new media, weblog technology is tremendously durable. It’s developed since the mid nineties, remains, and continues to develop. In the context of these systems, I’d like to thank Spazeboy and Connecticut Bob for their screening of Blog Wars at the college. I would have liked to have seen more new media students [...]
Interview with Walter Murch
April 7, 2007 – 4:42 pm
Geoff Manaugh of BLGBLOG has a nice interview with Walter Murch, referred to by John Timmons in class in our discussions of editing.
As it happens, Murch’s interests go far beyond the reach of cinema, encompassing architecture, astronomy, music theory, and mathematics – among an almost impossibly broad range of other subjects.
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300, Remediation, and the Mighty Digital Filter
March 10, 2007 – 3:41 pm
This is a fairly old post from Solace in Cinema. It provides screen comparisons of Snyder and Miller’s work, film and comic respectively. 300 will be an example of taking a comic’s particular flavor and remediating it into the environment of film, an act that, I find, comes with all kinds of questions. The first [...]

